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  1. Catalogue
  2. Chinese
  3. Ming and Earlier Porcelain and Works of Art

Chinese Blue and White Figure of Zhongli Quan, Late 16th/Early 17th Century

W424 Chinese blue and white figure of Zhongli Quan, late 16th/early 17th century
W424 Chinese blue and white figure of Zhongli Quan, late 16th/early 17th century
W424 Chinese blue and white figure of Zhongli Quan, late 16th/early 17th century
W424 Chinese blue and white figure of Zhongli Quan, late 16th/early 17th century
W424 Chinese blue and white figure of Zhongli Quan, late 16th/early 17th century
W424 Chinese blue and white figure of Zhongli Quan, late 16th/early 17th century
W424 Chinese blue and white figure of Zhongli Quan, late 16th/early 17th century
W424 Chinese blue and white figure of Zhongli Quan, late 16th/early 17th century
Ref: W424

Chinese blue and white figure of Zhongli Quan, Ming (1368 – 1644), late 16th/early 17th century, in flowing robes with a central badge containing the moon rabbit, one of the twelve ornaments; standing upon a base decorated with the sacred mountains.

明代(1368–1644年,约16世纪末/17世纪初)青花钟离权立像。造像身着飘逸长袍,胸前饰有“十二章纹”之一的“月兔”纹样;立于饰有神山纹的底座之上。

尺寸:

高:22.7厘米(8 15/16英寸)

品相:

手部下方有磕缺,有少量烧造瑕疵。

备注:

钟离权是“八仙”之一,这是一组半历史半神话的道教人物,在整个中国艺术史上常出现于陶瓷及各类艺术设计中。传说钟离权掌握了长生不老药的秘诀,而他手中常持的扇子据说能使死者灵魂复苏。其长袍上的纹饰便体现了这一能力:“月兔”是用于装饰权贵服饰的“十二章纹”之一,描绘了兔子在月宫中捣制长生不老药的场景。

记载“十二章纹”最早的文献之一是西汉官员司马迁(约公元前145–前86年)所著的中国古代史籍《史记》。钟离权的立像极为罕见:另一件同类藏品现存于瑞典哈尔维尔博物馆(Hallwyl Museum,藏品编号 XLVIII:VII:C.b.b.01)。

来源:

底座贴有Bluett & Sons古董行的标签,以及1994年东方陶瓷学会(OCS)与大英博物馆联合举办的展览标签(编号84)。1963年9月9日,John da Silva(1918–2003)与Jennifer da Silva(1932–2020)夫妇以85英镑购自Bluett & Sons,后由家族传承至今。该像曾于1963年10月参加OCS展览(编号100),并于1994年10月至11月参加OCS与大英博物馆联合举办的展览(展柜2a,编号84),且收录于该展览的图录中。此像为da Silva夫妇购作结婚礼物。正如其家族记录所述:“两位相交多年的挚友邀请我们(达·席尔瓦夫妇)去‘Bluett's’——一家极佳的东方艺术品商号——挑选一件物品作为结婚贺礼。经过反复斟酌,我们最终选定了一尊十六世纪的青花瓷像,描绘的是道教八仙之一的钟离权。”

Guest & Gray 58 Davies Street London W1K 5LP

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订阅我们的邮件列表 Míngdài (1368–1644 nián, yuē 16 shìjìmò/17 shìjì chū) qīnghuā zhōnglí quán lìxiàng. Zàoxiàng shēnzhe piāoyì chángpáo, xiōng qián shì yǒu “shí'èr zhāng wén” zhī yī de “yuè tù” wényàng; lì yú shì yǒu shénshān wén de dǐzuò zhī shàng.

Chǐcùn:

Gāo:22.7 Límǐ (8 15/16 yīngcùn)

pǐn xiàng:

Shǒu bùxià fāng yǒu kē quē, yǒu shǎoliàng shāo zào xiácī.

Bèizhù:

Zhōnglí quán shì “bāxiān” zhī yī, zhè shì yī zǔ bàn lìshǐ bàn shénhuà de dàojiào rénwù, zài zhěnggè zhōngguó yìshù shǐshàng cháng chūxiàn yú táocí jí gè lèi yìshù shèjì zhōng. Chuánshuō zhōnglí quán zhǎngwòle chángshēng bùlǎo yào de mìjué, ér tā shǒuzhōng cháng chí de shànzǐ jùshuō néng shǐ sǐzhě línghún fùsū. Qí chángpáo shàng de wénshì biàn tǐxiànle zhè yī nénglì:“Yuè tù” shì yòng yú zhuāngshì quánguì fúshì de “shí'èr zhāng wén” zhī yī, miáohuìle tùzǐ zài yuègōng zhōng dǎo zhì chángshēng bùlǎo yào de chǎngjǐng.

Jìzǎi “shí'èr zhāng wén” zuìzǎo de wénxiàn zhī yī shì xīhàn guānyuán sīmǎqiān (yuē gōngyuán qián 145–qián 86 nián) suǒzhe de zhōngguó gǔdài shǐjí “shǐjì”. Zhōnglí quán de lìxiàng jíwéi hǎnjiàn: Lìng yī jiàn tónglèi cángpǐn xiàncún yú ruìdiǎn hā ěr wéi'ěr bówùguǎn (Hallwyl Museum, cángpǐn biānhào XLVIII:VII:C.B.B.01).

Láiyuán:

Dǐzuò tiē yǒu Bluett& Sons gǔdǒng xíng de biāoqiān, yǐjí 1994 nián dōngfāng táocí xuéhuì (OCS) yǔ dàyīng bówùguǎn liánhé jǔbàn de zhǎnlǎn biāoqiān (biānhào 84).1963 Nián 9 yuè 9 rì,John da Silva(1918–2003) yǔ Jennifer da Silva(1932–2020) fūfù yǐ 85 yīngbàng gòu zì Bluett& Sons, hòu yóu jiāzú chuánchéng zhìjīn. Gāi xiàng céng yú 1963 nián 10 yuè cānjiā OCS zhǎnlǎn (biānhào 100), bìng yú 1994 nián 10 yuè zhì 11 yuè cānjiā OCS yǔ dàyīng bówùguǎn liánhé jǔbàn de zhǎnlǎn (zhǎnguì 2a, biānhào 84), qiě shōulù yú gāi zhǎnlǎn de tú lù zhōng. Cǐ xiàng wèi da Silva fūfù gòu zuò jiéhūn lǐwù. Zhèngrú qí jiāzú jìlù suǒ shù:“Liǎng wèi xiàngjiāo duōnián de zhìyǒu yāoqǐng wǒmen (dá·xí ěr wǎ fūfù) qù ‘Bluett's’——yījiā jí jiā de dōngfāng yìshù pǐn shānghào——tiāoxuǎn yī jiàn wùpǐn zuòwéi jiéhūn hèlǐ. Jīngguò fǎnfù zhēnzhuó, wǒmen zuìzhōng xuǎn dìngle yīzūn shíliù shìjì de qīnghuācí xiàng, miáohuì de shì dàojiào bāxiān zhī yī de zhōnglí quán.”

Guest& Gray 58 Davies Street London W1K 5LP

shǒujī:+44 (0)7968 719496 BADA(yīngguó gǔdǒng shāng xiéhuì) huìyuán

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Dimensions:

Height: 22.7cm. (8 15/16 in.)


Condition:

Chip to underside of hand, small firing faults


Notes:

One of the Eight Immortals, a group of semi-historical Daoist figures who appear in ceramic and art design through Chinese art history, Zhongli Quan is said to have obtained the secret of the elixir of life, and the fan which he is often seen carrying is said to revive the souls of the dead. The insignia on his robe reflects this ability: the moon rabbit is one of the twelve auspicious ornaments used to decorate fabrics worn by authority figures, and portrays a rabbit pounding the elixir of life within the moon.

One of the first documents detailing the twelve ornaments was the ‘Records of the Grand Historian’ (shiji), a history of ancient China by the Western Han official Sima Qian (c. 145 – c. 86 BC). Standing figures of Zhongli Quan are very rare: one other example can be found in the Hallwyl Museum, Sweden (inventory number XLVIII:VII:C.b.b.01.)


Provenance:

With paper labels to the base for both Bluett & Sons and the joint 1994 OCS and British Museum Exhibition (no.84). Purchased at Bluett & Sons on 9th September 1963 for £85 by John da Silva (1918 – 2003) and Jennifer da Silva (1932-2020) and thence by family descent. Exhibited in the OCS exhibition in October 1963 (no.100) and at the joint OCS and British Museum exhibition October-November 1994 (case 2a, no.84), illustrated in handlist for the exhibition. The figure was purchased by Mr and Mrs da Silva as a wedding present; as recorded in the former’s family notes: 'two old and close friends invited us (Mr and Mrs da Silva) to choose something at Bluett's, the best and nicest of oriental dealers, as a wedding present, and after much deliberation we selected a 16th century blue and white figure of Zhongli Quan, one of the eight Daoist Immortals.'

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