Archive item - not for sale
Chinese famille rose plate, Qianlong (1736-95), with scalloped rim, decorated in fine enamels with a central cartouche in the shape of a rockery hole, through which can be seen two roosters; one perched on a grassy hill while the other looks down from rockery with peony and other blooms; the cavetto with a floral arrangement including chrysanthemum and peony against a grey floral cell diaper, the wide scalloped rim with three shaped cartouches containing floral sprays, interspersed by blue heads of morning glory, against a pink floral cell diaper, the outer rim with a blue band of cell diaper.
The tenth animal of the zodiac, roosters have featured in Chinese art for millennia. The first reference to the zodiac in China date from the Western Han Dynasty (206 BCE- 9 CE), and tomb figurines of roosters, believed to keep evil spirits at bay as well as serving as an offering to sustain the deceased in the afterlife, have been found across China. Over time, the rooster became an important symbol associated with the New Year, and images of roosters were often pasted onto doors on the first day of the lunar New Year to protect the household – a tradition which continues today in many parts of China. The association of roosters with good fortune stems from the homonym – chicken (ji) or rooster (gonji) can serve as a visual pun representing luck (ji).
Furthermore, more complex symbolic meaning can be construed through rooster imagery depending on the placement and representation of the rooster. For example, two roosters shown standing with one slightly higher, as they are here, refers to a wish for continued success; as the combination of the words ‘coxcomb’ (jiguan) and ‘standing’ (shang 上) evokes the phrase guangshang jiaguan (‘may you achieve rank upon rank’). Moreover, when a rooster is standing upon a rock (shi), the additional understanding of familial good luck (also pronounced ‘shi’) is evoked.