Guest & Gray

Antique Chinese & Japanese Porcelain
European Ceramics & Works of Art

Antique Chinese & Japanese Porcelain
European Ceramics & Works of Art

  • Home
  • Catalogue
    Chinese
    • Ming and Earlier Porcelain and Works of Art
    • Imperial & Monochromes
    • Chinese Armorial Porcelain
    • European Designs on Chinese porcelain
    • Drawings
    • Qing Porcelain
      • Blue and White Porcelain
      • Chinese Kangxi Blue and White
      • Blue and White Teawares
      • Famille Verte Porcelain
      • Famille Rose Porcelain
      • Famille Rose Teawares
      • Imari
    • Qing Porcelain
    • Qing Works of Art
    • Snuff Bottles
    Japanese, Islamic and Indian
    • Japanese Porcelain
    • Works of Art
    • Islamic and Indian Art
    European
    • Glass
    • Porcelain
    • Pottery
      • Dutch Delft
      • English Pottery
      • French/German Pottery
      • Italian Pottery
      • Spanish Pottery
    • Pottery
    • Works of Art and Furniture
    Other
    • Contemporary Ceramics
    • Books
    • Antique Jewellery & Silver
    • Tiles
  • Archive
    Chinese Archive
    • Ming and Earlier Porcelain and Works of Art
    • Imperial & Monochromes
    • Chinese Armorial Porcelain
    • European Designs on Chinese porcelain
    • Drawings
    • Qing Porcelain
      • Blue and White Porcelain
      • Chinese Kangxi Blue and White
      • Blue and White Teawares
      • Famille Verte Porcelain
      • Famille Rose Porcelain
      • Famille Rose Teawares
      • Imari
    • Qing Porcelain
    • Qing Works of Art
    • Snuff Bottles
    Japanese, Islamic and Indian Archive
    • Japanese Porcelain
    • Works of Art
    • Islamic and Indian Art
    European Archive
    • Glass
    • Porcelain
    • Pottery
      • Dutch Delft
      • English Pottery
      • French/German Pottery
      • Italian Pottery
      • Spanish Pottery
    • Pottery
    • Works of Art and Furniture
    Other Archive
    • Contemporary Ceramics
    • Books
    • Antique Jewellery & Silver
    • Tiles
  • Guide
    • Bibliography
    • About us
    • Making a purchase
    • Museum links and useful websites
    • Testimonials
    • Antiques, Auctions and More
    • Auction Law in Europe
  • Articles
    • Antique Chinese Ceramics and Works of Art
    • Antique Japanese Ceramics and Works of Art
    • Antique European Ceramics and Works of Art
    • Antique Indian and Islamic Ceramics and Works of Ar
    • Antique Korean Ceramics and Works of Art
  • Contact
  1. Archive
  2. Japanese, Islamic and Indian
  3. Islamic and Indian Art

Javanese Bronze Figure of Four-Armed Ganesh, 13th/14th Century

W609 Javanese bronze figure of four-armed Ganesh, 13th/14th century
W609 Javanese bronze figure of four-armed Ganesh, 13th/14th century
W609 Javanese bronze figure of four-armed Ganesh, 13th/14th century
W609 Javanese bronze figure of four-armed Ganesh, 13th/14th century
W609 Javanese bronze figure of four-armed Ganesh, 13th/14th century
W609 Javanese bronze figure of four-armed Ganesh, 13th/14th century
Ref: W609
Archive item - not for sale

Javanese bronze figure of four-armed Ganesh, 13th/14th century, the deity seated upon a lotus flower base with his feet touching and arms radiating, with round belly and long trunk reaching into his lower left hand, holding a goad and parasu (battle axe) in his upper hands and his broken tusk in his lower right hand, a naga draped across his torso with its hooded head rising from his left shoulder, wearing a serene expression and tiered makuta headdress set with faces.. SOLD


Dimensions:

Height: 15cm. (5 7/8in.); width; 13.5cm. (5 1/4in.)


Condition:

Lotus flower base with holes and some loss of bronze (see images)


Notes:

One of the best-known and popular Hindu deities in India, Ganesh was well established and revered as the remover of obstacles by the 4th century. Owing to his popularity among Indian merchants who travelled extensively across Asia, Hindu iconography and worship was transmitted overseas and incorporated into Southeast Asian cultures. The forms of Ganesh found at these overseas sites, including Java, often portray specific regional variations. He is shown here with some of his common attributes. The broken tusk refers to his earliest name Ekadanta (‘one-tusked’) and there are various myths referring to how he lost his tusk, including one in which he breaks it off himself to continue writing the Mahabharata after his quill broke. The ritual goad (bullhook) is one of the eight auspicious objects known collectively as Ashtamangala in Hinduism, and the parasu (battle axe) is a weapon strongly associated with Shiva, Ganesh’s father.


Provenance:

With a letter to the vendor’s mother from the Ashmolean Museum (11th September 1983)

Guest & Gray
58 Davies Street
London
W1K 5LP

Mobile: +44 (0)7968 719496
Bada member
Site by KT Consultants
Join our mailing list

Terms & Conditions
Privacy Policy
Login
Terms & Conditions
Privacy Policy


Login
Site by KT Consultants