Guest & Gray

Antique Chinese & Japanese Porcelain
European Ceramics & Works of Art

Antique Chinese & Japanese Porcelain
European Ceramics & Works of Art

  • Home
  • Catalogue
    Chinese
    • Ming and Earlier Porcelain and Works of Art
    • Imperial & Monochromes
    • Chinese Armorial Porcelain
    • European Designs on Chinese porcelain
    • Drawings
    • Qing Porcelain
      • Blue and White Porcelain
      • Chinese Kangxi Blue and White
      • Blue and White Teawares
      • Famille Verte Porcelain
      • Famille Rose Porcelain
      • Famille Rose Teawares
      • Imari
    • Qing Porcelain
    • Qing Works of Art
    • Snuff Bottles
    Japanese, Islamic and Indian
    • Japanese Porcelain
    • Works of Art
    • Islamic and Indian Art
    European
    • Glass
    • Porcelain
    • Pottery
      • Dutch Delft
      • English Pottery
      • French/German Pottery
      • Italian Pottery
      • Spanish Pottery
    • Pottery
    • Works of Art and Furniture
    Other
    • Contemporary Ceramics
    • Books
    • Antique Jewellery & Silver
    • Tiles
  • Archive
    Chinese Archive
    • Ming and Earlier Porcelain and Works of Art
    • Imperial & Monochromes
    • Chinese Armorial Porcelain
    • European Designs on Chinese porcelain
    • Drawings
    • Qing Porcelain
      • Blue and White Porcelain
      • Chinese Kangxi Blue and White
      • Blue and White Teawares
      • Famille Verte Porcelain
      • Famille Rose Porcelain
      • Famille Rose Teawares
      • Imari
    • Qing Porcelain
    • Qing Works of Art
    • Snuff Bottles
    Japanese, Islamic and Indian Archive
    • Japanese Porcelain
    • Works of Art
    • Islamic and Indian Art
    European Archive
    • Glass
    • Porcelain
    • Pottery
      • Dutch Delft
      • English Pottery
      • French/German Pottery
      • Italian Pottery
      • Spanish Pottery
    • Pottery
    • Works of Art and Furniture
    Other Archive
    • Contemporary Ceramics
    • Books
    • Antique Jewellery & Silver
    • Tiles
  • Guide
    • Bibliography
    • About us
    • Making a purchase
    • Museum links and useful websites
    • Testimonials
    • Antiques, Auctions and More
    • Auction Law in Europe
  • Articles
    • Antique Chinese Ceramics and Works of Art
    • Antique Japanese Ceramics and Works of Art
    • Antique European Ceramics and Works of Art
    • Antique Indian and Islamic Ceramics and Works of Ar
    • Antique Korean Ceramics and Works of Art
  • Contact
  1. Archive
  2. European
  3. Pottery
  4. English Pottery

Staffordshire White Saltglazed Pierced Basket, Circa 1750

W702 Staffordshire white saltglazed pierced basket, circa 1750
W702 Staffordshire white saltglazed pierced basket, circa 1750
W702 Staffordshire white saltglazed pierced basket, circa 1750
Ref: W702
Archive item - not for sale

Staffordshire white saltglazed pierced basket, circa 1750, with intricate piercing and basket-pattern design in relief; the central roundel encircled by eight foliate wreaths, the scalloped rim comprising eight further foliate panels containing pierced lattice design.


Dimensions:

Diameter: 20cm. (7 7/8in.)


Condition:

Minor hair crack to one panel of piercing


Notes:

A plate of very similar design can be found in the collection of the Victoria and Albert Museum (3106-1853). Saltglaze stoneware was produced in Britain from the latter half of the seventeenth century. Experimentation was possibly driven by the wares and techniques introduced by immigrant German potters settling in London at this time. Despite competition from kilns in Nottinghamshire, Derbyshire and London, by the late eighteenth century Staffordshire had become the largest producer of ceramics in Britain, partly owing to the local abundance of raw materials including clay, coal and salt. Saltglaze wares were produced by throwing salt into the kiln during the firing process. The reaction between the sodium in the salt and the silica within the clay produces a layer of sodium silicate, and gives the finished piece a glossy sheen and pleasing texture comparable to that of orange peel. Initially, decoration largely consisted of applied strips of clay, but later on a technique called ‘sprigging’ became popular. Complex reliefs and intricate designs could be made in separate molds using slip before being applied to the body of the vessel.

Guest & Gray
58 Davies Street
London
W1K 5LP

Mobile: +44 (0)7968 719496
Bada member
Site by KT Consultants
Join our mailing list

Terms & Conditions
Privacy Policy
Login
Terms & Conditions
Privacy Policy


Login
Site by KT Consultants